Small Dragon Vase, Eduard Stellmacher, Amphora-Werke Riessner Stellmacher & Kessel, ca. 1901, Elfenbeinporzellan, marked
marked underneath: crown, “Amphora”, model number “4552”, modeler “52”, “Austria”; Bib.: Richard L. Scott (ed.), “Ceramics from the House of Amphora 1890-1915”, Sidney/Ohio 2004, p.110
Around 1900, the manufacture Amphora rose to the top of European ceramics manufacturers with its new production series of vases decorated with fantastical sea creatures, dragons, snakes and other amphibians. It was the talented designer and artistic director of the company himself, Eduard Stellmacher, who was the driving force behind this successful series of fantastical animal depictions.
Stellmacher was always striving to keep up with the times, integrating his observations and inspirations from a wide variety of art movements into his own production in an original way. His personal interest in the anatomy of the body – both human and animal – is evidently reflected in the realistic designs of these artistic ceramics. Our two excellently preserved vases with wild dragons coiling around the vessel exemplify both the wealth of imagination of designers at the beginning of the 20th century and the fascination for these remarkable art ceramics.
The "Amphora-Werke k.k. priv. Keramische Werke Rießner, Stellmacher & Kessel" was founded in 1892 by Hans and Carl Rießner, Eduard Stellmacher and Rudolf Kessel in Turn-Teplitz. The Austro-Hungarian company produced high quality ceramic objects and is one of the most famous manufactories of the Art Nouveau period. Soon after its founding, the company employed 300 people and exported its sought-after products all over the world. Besides rather commercial products, more elaborate objects were created for world exhibitions and other international art fairs. These partly monumental exhibits include vases with grotesque animal creatures such as dragons and sea monsters, inspired by Japanese woodblock prints, as well as vessels with maiden and delicate female figures in allegorical designs. The high-quality standards of the founding members brought along the so-called "ivory porcelain", a glazed thin-walled type of ceramics, which was often enhanced with gold, cold enamel painting and gemstones. Even then, the company won high awards with this technique and the elaborate surface design, including four "Grand Prix" at various world exhibitions. Today, exceptional specimens are represented in famous art nouveau museums such as the Badisches Landesmuseum, Karlsruhe and the Bröhan Museum, Berlin.
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